Thursday, October 15, 2015

One Morning

Mr. Cistern had his business grin on, the one that made everyone shudder when caught in its arid bearing. He swept the room with it like a spotlight, casting stagefright upon wouldn’t-be actors and testing to see who had remembered their lines. It could not be escaped. Everyone in the wings, before and after the turgid sweep, struggled to retain their continence.

At the same time everyone knew that it was all a ridiculous show. He pretended to be making rounds, being Mr. Friendly With The Troops, while we the grunts pretended in return (as if we had a choice) to be bred with some kind of patriotic respect for Cistern and Sons, our employer-exploiter, the proud producer of Garden Brand Chemicals. But I the disenchanted exploitee had grown tired of pretending. I was thinking of deserting, running away from the circus, and I had provocatively expressed as much, although perhaps with a little more pungency, just yesterday morning on a stall wall in the company can.

He coursed in a zig-zag amble, following a secret itinerary, first here, then there, then back over this way. “Hello, Marcie,” he said on one side of the shop. “Good to see you made it in today.” “Yes, sir.” Amble, amble. “Hi, Bob. Let’s get those numbers up.” “Yes, sir.” Smile, smile, smile and over to the other side of the room. “Janet, well, it looks like things are piling up for you.” “Yes, sir.” “Maybe we ought to get you another In-basket.” Smile and chuckle.

Everyone smiled back, too, like the Cheese was their uncle. Yet everyone could see, had to see, the cold aim of his big fat furtive glances. Beneath Uncle’s temperate banter and bandy loomed just one frigid purpose. He had emerged from his plush-pit with just one place to go, just one thing to say, and he was, between each zig and zag, directing himself my way.

The stroll and the gab were greased up with a warmth as synthetic as if it had come out of a tube. Not even the worst brown-nosed kissups were fooled. I had thought once that maybe these creatures lived too far out past the fringes of reality, until one day a notorious b.n.k. advised me that I “really should play along.” Yet he had confirmed it: in absolutely everyone’s peonic mind it was all a miserable game. And today even this b.n.k., lapping it all up while the spotlight shone, could be seen wearing a shriveled puke look after the C. had passed him; today it seemed particularly putrid, everywhere you looked.

I waited for him. I didn’t even try to look busy. Only when he eventually made it to the edge of my desk did I look down at my work, and then it was with full attention, as if no one else existed. And it was exclusion, not dedication, only a guise of head-hanging shame to hide the subtle snub. He pretended, too, not to notice.

“Hello, Jenson.” He spoke with frostiness. I looked up out of my own chilled atmosphere, thinking one of us might have shrunk the stupid smile. But it still glared icily, and the lips were even further stretched and taut. “Jenson,” they said again. “Good morning.”

“Mr. Cistern,” I acknowledged, sounding in fact much like an “Mmmmph.”

“Darin, you know, I’ve been meaning to talk to you.” His voice dipped just higher than a scratched whisper, with the intimacy of a swamp lizard and the integrity of a snake. I shivered as one cold-blooded paw (or the snake itself) dropped onto my shoulder.

“Sir?” Be polite now, I thought. Just a little more.

“Tell you what, Darin, let’s set up an appointment, you and me, okay?” He spoke with blatant condescension. “Strictly for conversational purposes,” he said.

“What about, sir?”

“I’ll just put you down for about four-thirty, how does that sound?” The grin was noisome.

“What’s it about?” I asked.

“We’ll meet in my office, of course, but I suppose you know that much, don’t you?” He laughed.

“Sir?” No rudeness, not yet. 

“Put your nose back into it, Jenson.” His voice had boosted up again. Once more everyone could choke on the bossish humor. Then he patted me on the back, which made me feel just a little closer to wanting to hit him. Self-control, I told myself. Therapy, look away, turn a cheek, don’t watch the queen of shovelfuls mosey back into the pit. I gripped my chair handles and stared anywhere away and apart from his ambling departure. My mouth tasted acridly mad. My eyes stared emptily into the room, away and apart, and only happened to land on the face of Janet Praxis, chuckling in mime exaggeration. Fuck you, J. She stuck out her tongue (such a child) and smiled as stupid as the Cheese, except that it was real and she was a girl and there was something remotely attractive about it. Oh, go to hell, Praxis, we’re just pretending, too.

Cistern was nearly back to the door of his office, almost escaped and victorious, to apex my misery. Janet, compounding the misery, started laughing audibly, just loud enough at first, but with a threatening poco crescendo. I wondered if I was ever going to do it, or if it was going to be suddenly too late. I wondered how long I would be entranced by the last several steps of the queen on one side and the ascending giggle on the other, trapping me and rendering me unable to stand up and prove something, anything, once and forever, making me into a fool and the biggest Employee of them all, the grand pretender. I wondered, I almost whimpered, cried when suddenly my voice found itself and it wasn’t a whine.

“Mr. Cistern!” Just loud enough.

He stopped midway between his final to and fro. He erased the stupid grin without any detectable motion, and he had a little trouble finding a voice himself.

“Jenson?”

“Yes, sir,” I said. “I’m through playing.”

“Excuse me?”

“I quit, sir.”
“Jenson, perhaps we might discuss this privately.”

“No sir.” There was nothing to talk about. “I’m through.“

And I couldn’t add anything after that. I looked over at Janet Praxis, and saw her disappointment. Not enough bravado, I suppose. But that was it. I scooped a few things out of my desk drawers and grabbed my coat and quietly walked out the door.



from March to December

Wednesday, October 14, 2015

Moleskin 5.4

And then my family moved, and I moved. Homes seven, eight and nine were those transitional places between the drainage ditch and the Des Plaines River into which it dumped: the townhome, the apartment, the stepdad’s parent’s home: places I wanted to romanticize as being in the big city and not so far away form the old Chicago River and the great Lake Michigan, but homes I tend to remember and realize in more cynical shades. Our prior dwellings had never been big or glamorous, and we had lived in an urban apartment and even a trailer home before, but I missed the Buffalo River parsonage and everything about it: the neighbors, the space around us, the sense of “us” living in one place, one family with a river in our back yard, just down the hill.

Tuesday, October 13, 2015

Argument

But what about this intellectual exercise of mine,
stirring up the dust and shifting with the wind?
If I can’t find my way to God unless God shows
the way, there can be no mindless praise,
but what about this praiseless mind of mine?
And what about intelligence? The premise of creation,
the covet of my soul is the core of my design,
yet it’s nothing but a word, only one of many spoken,
and it’s keeping me in place. I’m sworn to intelligence,
another soldier standing at the gate.
If love is perfected by love reciprocated,
why must my intelligence be tethered to the ground?
My mind, my very soul, is confounded and bewildered,
beholden to the mind over mine.


from Walled Gardens

Monday, October 12, 2015

Hell and Heaven

Hell is other people — 
Heaven is the presence of God.

Hell is a closed room — 
Heaven is an open field.

Hell is being forever judged — 
Heaven is being accepted.

Hell is seeing ourselves as others see us — 
Heaven is putting ourselves aside.


Hell is the dark glass of human mirrors — 
Heaven is seeing face to face.

Hell is the parsing of pimples — 
Heaven is the end of imperfections.

Hell is inescapable reflections — 
Heaven is the lark flying free.

Hell refuses to look at loveliness —
Heaven is knowing love.


Hell is the end of hope and the continuation of fear — 
Heaven is all we hope for and the end of all we fear.

Hell is remaining alive but being forever dead — 
Heaven is being born anew, having defeated death.

Hell is a faithless existentialism — 
Heaven is a higher existence.

Hell is existing in the company of absentees — 
Heaven is living in the presence of God.


Hell is a room with no exit.
Heaven is a doorway and the will to walk through it.

Hell is here and now, for those who live it — 
Heaven is here and now, for those who believe it.


from Stillwater Symposia

Sunday, October 11, 2015

But What About This...

But what about this intellectual exercise of mine,
stirring up the dust and shifting with the wind?
If I can’t find my way to God unless God shows
the way, there can be no mindless praise,
but what about this praiseless mind of mine?
And what about intelligence? The premise of creation,
the covet of my soul is the core of my design,
yet it’s nothing but a word, only one of many spoken,
and it’s keeping me in place. I’m sworn to intelligence,
another soldier standing at the gate.
If love is perfected by love reciprocated,
why must my intelligence be tethered to the ground?
My mind, my very soul, is confounded and bewildered,
beholden to the mind over mine.


Saturday, October 10, 2015

The Chapel of the Wind





T.S. Eliot, The Waste Land (TWL), lines 386-395






          In this decayed hole among the mountains
          In the faint moonlight, the grass is singing
          Over the tumbled graves, about the chapel

                    See Jessie L. Weston, From Ritual to Romance 13 (1920):

                    Students of the Grail romances will remember that in many of the 
                    versions the hero--sometimes it is a heroine--meets with a strange and 
                    terrifying adventure in a mysterious Chapel, an adventure which, we 
                    are given to understand, is fraught with extreme peril to life. The 
                    details vary: sometimes there is a Dead Body laid on the altar; 
                    sometimes a Black Hand extinguishes the tapers; there are strange 
                    and threatening voices, and the general impression is that this is an 
                    adventure in which supernatural, and evil, forces are engaged.  Such 
                    an adventure befalls Gawain on his way to the Grail Castle. He is 
                    overtaken by a terrible storm, and coming to a Chapel, standing at a 
                    crossways in the middle of a forest, enters for shelter. The altar is bare, 
                    with no cloth, or covering, nothing is thereon but a great golden 
                    candlestick with a tall taper burning within it. Behind the altar is a 
                    window, and as Gawain looks a Hand, black and hideous, comes 
                    through the window, and extinguishes the taper, while a voice makes 
                    lamentation loud and dire, beneath which the very building rocks. 
                    Gawain's horse shies for terror, and the knight, making the sign of the 
                    Cross, rides out of the Chapel, to find the storm abated, and the great 
                    wind fallen. Thereafter the night was calm and clear.

          There is the empty chapel, only the wind's home.

                    See the “wind under the door” at TWL 118.

          It has no windows, and the door swings,
          Dry bones can harm no one.

                    THE CHAPEL PERILOUS in this passage is empty and windowless; 
                    likewise the bones, not yet brought to life (see TWL 186), are dry and 
                    harmless. The chapel remains the wind’s home, however, and the 
                    scene quickly changes: the door swings, a damp gust brings rain (see 
                    TWL 394-395) and what was once a dry, sterile thunder (see TWL 342) 
                    will become full of meaning (see TWL 399 and following).  Compare 
                    the chapel of Eliot, Little Gidding (1943):  

                    ...If you came this way,
                    Taking any route, starting from anywhere,
                    At any time or at any season,
                    It would always be the same: you would have to put off
                    Sense and notion.  You are not here to verify,
                    Instruct yourself, or inform curiosity
                    Or carry report.  You are here to kneel
                    Where prayer has been valid.  And prayer is more
                    Than an order of words, the conscious occupation
                    Of the praying mind, or the sound of the voice praying...

          Only a cock stood on the rooftree
          Co co rico    co co rico

                    Co co rico is the rooster’s cry in French, the language of Leman (see 
                    TWL182) and, demotically, of Mr. Eugenides (see TWL 212). See 
                    also Matthew 26: 31-35, 69-75

                    Then saith Jesus unto them, All ye shall be offended because of me 
                    this night: for it is written, I will smite the shepherd, and the sheep of 
                    the flock shall be scattered abroad. But after I am risen again, I will 
                    go before you into Galilee. Peter answered and said unto him, Though 
                    all men shall be offended because of thee, yet will I never be offended. 
                    Jesus said unto him, Verily I say unto thee, That this night, before the 
                    cock crow, thou shalt deny me thrice. Peter said unto him, Though I 
                    should die with thee, yet will I not deny thee. ...Now Peter sat without 
                    in the palace: and a damsel came unto him, saying, Thou also wast 
                    with Jesus of Galilee. But he denied before them all, saying, I know not 
                    what thou sayest. And when he was gone out into the porch, another 
                    maid saw him, and said unto them that were there, This fellow was also 
                    with Jesus of Nazareth. And again he denied with an oath, I do not know 
                    the man. And after a while came unto him they that stood by, and said to 
                    Peter, Surely thou also art one of them; for thy speech betrayeth thee. 
                    Then began he to curse and to swear, saying, I know not the man. And 
                    immediately the cock crew. And Peter remembered the word of Jesus, 
                    which said unto him, Before the cock crow, thou shalt deny me thrice. 
                    And he went out, and wept bitterly.  

                    THE CROWING COCK also occurs in Shakespeare, The Tempest, 
                    1.2.385-387:

                    ARIEL

                    Hark, hark! I hear
                    The strain of strutting chanticleer
                    Cry, Cock a diddle dow

                    and in Shakespeare, Hamlet, 1.1.156, as the ghost of Hamlet’s father, 
                    just about to speak, suddenly departs at dawn):

                    MARCELLUS

                    It faded on the crowing of the cock.

          In a flash of lightning.  Then a damp gust
          Bringing rain

                    See Joseph Conrad, An Outcast of the Islands 4.5 (1896):

                    Then the heavy air round him was pierced by a sharp gust of wind, 
                    bringing with it the fresh, damp feel of the falling rain...


from T.S. Eliot's The Waste Land, with annotations (and other explanations)

Friday, October 9, 2015

The Grand Design

This is how you are to bless....
- Numbers 6:23 (NIV)

The grand design of the universe proceeds
regardless of apologies and creeds,
no matter what’s believed or not believed:
that God exists precedes how God’s perceived
and all the universe thus far perfected
is God’s reality on us reflected.
What good, then, if we separate the light
into a thousand rays of wrong and right
when there is truth in each ray we receive?
I may not always know what to believe,
but I believe that God’s expecting me
to keep reflecting everything I see
without distortion, judgment or rejection
and faithful to the source of my reflection.

God bless thee, wolf or Joseph, small or great,
and keep thee all the same by wrath or mercy
unbiased by thy aid or opposition,
no matter what thy rank or reputation;
God shine His face upon thee for thy favor
and turn His face toward thee for thy peace
regardless of thy service or rebellion,
uncolored by thy honor or thy shame.
By grace thy soul is given understanding
just as by God the sky is given lightning
and as the force that first did cause the heavens
is still creating every force within:
so bless thee, as the miller turns the millstone,
and keep thee, as the tender feeds the flame.

The grand design of the universe is carved
and I am but a sliver in the carving:
all I know is shaped by the designer
and all I am, a part of the design.
I am an ant with perpetual movement
around me, earth and heaven ever moving
like a mindless dragon: I am but a mote
within its mouth, and yet for all the motion
I am never swallowed as the dragon
sleeps and stirs. And even this great dragon
is given its own task upon the millwheel,
unmindful of the fires and misfortunes
of time, and I’m an atom on this millwheel,
holding to my place in the design.


from Walled Gardens

Thursday, October 8, 2015

Creed and Confession

I have been bound to imagery and form,
without regard to their source and eternity;

I have taken scripture at its word,
and found God’s essence in chapter and verse; and yet

I have bowed down to devils wearing the rings of kings.
“He sat upon the throne” was all I needed.

I have praised the images in my church,
never thinking of God as the artist;

I have followed the form of the worship service
never considering the contingencies.

I have come to believe that God will send
the devils on their way, but

I have never dared to move beyond
“He sat” to “He has no place.”



I have been bound to the image of a throne
and the form of one who wears a fitting crown;

I have let the scriptures tell me what is true,
as even “he that sat upon the throne revealed...”

I have proudly worn my Christianity
and celebrated God’s descendancy;

I have put this at the center of my creed,
believing that my God will come again, even as

I have known my God’s been with me all along,
every time, forever everywhere, even as

I have looked and still I look for a direction
to bow down to, traditions to cling to, even as

I have needed, always needed, something new,
something certain, something true.


from Walled Gardens

Wednesday, October 7, 2015

Moleskin 5.3

Let me linger for a moment now, back at my sixth home and its place on the Buffalo River: a muddy river, full of the soil of the fields around it; a rising river in the spring, finding its way into our basement from time to time; a meandering river that shapes its own valleys in the shadow of the Red River of the North; a river of gravel road bridges and big mud turtles. My mother had her small job of reading and reporting the river heights at the bridge station just down the hill from our home; my father worked at the church up the hill on the other side of the river, a quarter mile down and up that hill. I swam in the Buffalo River, as muddy as it was, and I explored the woods behind our house that bordered the river and give it riparian solace. I met neighbors and friends my own age all along the river: across form us, the Akers, a mile east and south, the Horpedahls. Spiritually I am still sitting, will always be, along that river, with water that seems to barely move.

Tuesday, October 6, 2015

Voices in my Head - September 27, 1990

Another dream: Jill Emmons, my neighbor and occasional bus-mate, is with me, and she is hitting on me.  I am weak —I put my arm around her once, twice —but I consider Carrie, and nothing more happens: there isn’t the time, but I think I will be able to resist.  We are watching a movie: Richard III.  There is a scene where they pitch pennies (not really) and one character nonchalantly mentions the date on the coin: 1956.  We get a chuckle from the subtle humor.

from March to December

Monday, October 5, 2015

Voices in my Head - September 26, 1990

September 26

Quick dream (I should give this more time): Dan and I are in my car, Dan is driving.  We are stopped and backed up by several cars at the corner of Prospect and Touhy; we are south of the intersection.

I take the opportunity to jump out of the car to quickly run an errand in one of the Prospect shops.  I have some film to turn in and some old record albums I want to sell.  There is a one-stop shop that can take care of both of my needs.
  
I turn in the film quickly, but they have to assess the record albums one at a time, and there are about fifteen of them.  I wonder if it will take too long, but I decide Dan will have the sense to pull the car over to the side if the light turns green.

The shopkeeper looks at the albums.  They are worth 5¢ ...15¢ ...10¢ ...etc., depending on the newness, popularity, size —all the obvious factors.  The total comes to $1.75.  It’s too small an amount, really, but I am ready to concede, wanting to collect the money and get out of the shop quickly.  But then the shopkeeper convinces me that I ought to hold off on selling them until they increase in value.  As a consolation he gives me a punch card which, when filled, will allow me to redeem a given number of records at a higher price.  

I leave the shop ...and outside I find my car sitting sideways, perpendicular to Prospect Avenue with its nose in the middle of the right hand lane and its rear almost right up against the parked cars on the side of the street.  Traffic is slowed down even more now, as cars have to drive around mine now.  Dan is asleep in the passenger seat.  I go over to the driver’s side —and it is crushed, beyond just a scrape, bashed in all along the side.  I am able to open the door and I determine the car will be driveable, but Dan still doesn’t wake up.  

I shout, in a panic.  Dan wakes up groggily and continues to be only half awake for the rest of the dream...  The cops come... We look the car over... I calm down a little... and Dan goes back to sleep.

from March to December

Sunday, October 4, 2015

Voices in my Head - September 22, 1990

Another hotel dream:  This time, I went into the hotel while Carrie stayed out in the car.  

For some reason, it was in my head this evening that the way to get a hotel room was to find an empty one, claim it and then check in with the front desk.  So I walked resolutely down the main hall that cut through the hotel front to back, not even considering any of the rooms being passed as possible vacancies until I got to the hotel’s far side, to a perimeter hallway, really a motel now —where I saw one door that seemed to mystically tell me that it would open to an empty room.  I opened it and walked in.

There had been a person walking behind me down the hall —walking nonchalantly, just another patron I thought —until he walked in the room behind me.  He didn’t say anything, but he looked like he was forming the start of a protest on his lips.  “Hey!  What are you...?” or something like that.  But I didn’t give him time for this and didn’t even turn to him and instead walked through the room to where there was another door into an adjacent room.

I opened that door and found a couple on the bed, making self-absorbed love.  I closed the door, turned around and walked out of the outer room, lowering my eyes from the man who was, I now realized, this room’s proper occupant.  I had made a mistake. And it all came back to me —remembering conventionality and realizing where I had strayed.  I walked quickly back to the front desk to start all over.

Carrie was there in the lobby.  There was no point in describing where I had been, but she had a wondering look on her face.  I went up to her, hugged her affectionately and decided that the best thing to do would be to propose.  So I stepped back a formal distance from her.  I wanted to do everything just right; I wasn’t on my knees, but I still assumed the air of a man beseechingly proposing to an honorable woman several levels above him.  

Someone brought out a textbook —a hymnal —that had proper procedures on how to propose.  It started out straightforwardly: Not ”Carrie, will you marry me,” but something as direct but with a few more flowery words —“How grateful would I live if you should be my wedded wife,” or something like that.  And then there were a dozen other things to say, all very ceremoniously intended and laid out on the page.  Each statement came in threes: I had to make a decision on which option to read out of each trio.  The first one was often something in Latin; the second and third differed in their degree of religious or secular tone.  The effect of all this was that my perfect proposal lost much of its glamor, and I largely stumbled along.

But I got through it.  And she said yes.

And immediately we were in separate hotel rooms.  I was in mine with six or seven friends / relatives, and Carrie was in hers.  My room had two beds, and I laid down 
on the bed nearest to the wall.  I reached over for the bedside phone and started dialing a number, but someone grabbed the phone, said that’s not right.  I don’t know who it was, but he was correct: I had dialed my home number, and though I hadn’t said anything, he knew who I was trying to reach.  “You’re both in the hotel, so you don’t have to dial so many numbers,” he explained.  This, he said, is how he had known I hadn’t dialed right.  And he took the phone and dialed for me and we reached Carrie’s room.

Her brother George answered.  Somehow, briefly, I could see the whole room, and I was there, and it was the moment Carrie and I were breaking the news: We’re getting married!  No reaction.  There was Mr. P and Mrs. P and several others all leaning over something at the kitchen counter, going about their business.  

But then I was on the phone again, apart from Carrie, and speaking to George.  He was concerned —not unhappy, but concerned.  “I don’t think you guys should rush it so much.  I mean, the seventeenth of this month?”  It was a date obviously arrived at in that room only; it was the first I had heard about it.  

George was also concerned about our financial standing and our schooling.  I assured him that we would be okay.  I talked at length, strolling around with a portable phone.  I was doing most, if not all, of the talking now.  

I talked and walked, and suddenly I found myself walking outside and down a nearby street.  Eventually the reception faded.  “George? George?”  I didn’t have the phone’s antenna all the way out —this was the erly days of mobile phones —but even after extending it I could only hear static....

I woke up and fell asleep several times after this, and I tried to finish the dream.  It seems that I did get several episodes added, but they were all hazy, and are now completely forgotten, but each had the same positive tone on the same theme —we are getting married, and Carrie’s family wants it all to go smoothly, and somehow I have the feeling that it will.

from March to December

Saturday, October 3, 2015

Falling Towers





T.S. Eliot, The Waste Land (TWL), lines 369-385 





371  The incognizance of line 366 continues. Compare lines 54-56, where Madame Sosostriscould not find the Hanged Man (which Eliot associates with the hooded figure of Christ (see note 46 and line 364)) and saw only “crowds (now hooded hordes) of people, walking round in a ring.” 

374  The unreal city, previously seen at dawn and at noon (see lines 61 and 208), is now in Tiresias’s violet hour (see lines 215 and 220 and note 378), and at war with bombs bursting, planes whistling and towers falling.  

  TOWERS will appear throughout section five, and while the only towers mentioned previously were white with pealing bells (line 289), they are now falling (line 374), upside down in air (line 383), horrible (note 412) and destroyed (line 430). Compare the tale of the Tower of Babel reaching vainly to God, at Genesis 11:4-9: “And they said , Go to, let us build us a city and a tower, whose top may reach unto heaven; and let us make us a name, lest we be scattered abroad upon the face of the whole earth. And the LORD came down to see the city and the tower, which the children of men [built]....  And the LORD said, Behold, the people ...have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do.  Go to, let us go down, and there confound their language, that they may not understand one another's speech.  So the LORD scattered them abroad from thence upon the face of all the earth: and they left off to build the city.  Therefore is the name of it called Babel; because the LORD did there confound the language of all the earth...” 

376  London is now placed in context with Jerusalem, Athens, Alexandria and Vienna, all centers of empires and cultural hubs for their time, but here they are cracking, falling apart and reforming into something unreal.  See note 207 for other unreal city references.

378  See Pierre Leyris, PoĆ©mes, 1910-1930, 155 (1947), relating this passage to paintings ofHieronymus Bosch, perhaps alluding to the baby faced bat in Bosch, Hell (1504) (below).  See also Bram Stoker, Dracula 3 (1897): “I saw the whole man... begin to crawl down the castle wall over the dreadful abyss, face down, with his cloak spreading out around him like great wings.”



                                             Hieronymus Bosch, Hell (detail) (1504)


  Compare THE LONG-HAIRED WOMAN who fiddled whisper music on her hair with the hyacinth girl, found with “arms full, and ...hair wet” (line 38); the woman on talking walls whose “hair / Spread out in fiery points / Glowed into words” (line 108); the woman who walked the street with “hair down” (line 133); and the woman who “smoothes her hair with automatic hand, / And puts a record on the gramophone” (line 255).  See also hair's tie to fertility in both Frazer, The Golden Bough 3:5.6, and Weston, From Ritual to Romance 4 (see notes0.1 and 0.2).

  THE VIOLET HOUR alludes to the liturgical color of repentance and baptism; see Brooks(note iii). See lines 215220373 (air) and 380 (light) and notes 77 (purple sails) and 331(purple trenches).  See also Shakespeare, Hamlet 4.5.177 (Ophelia’s violets withered when her father died; see Appendix C) and 5.1.229 (Laertes wishing violets would spring from Ophelia’s grave).  See also the "violet and purple morn" in Whitman, Memories 12 (Appendix A).

384  See line 67, “where St. Mary Woolnoth kept the hours.”

385  Jeremiah 2:13,14: “For my people have committed two evils; they have forsaken me the fountain of living waters, and hewed them out cisterns, broken cisterns, that can hold no water. ...The young lions roared upon him, and yelled, and they made his land waste...”  Compare this with the “children’s voices in the dome” (line 202).

from T.S. Eliot's The Waste Land, with annotations (and other explanations)

Friday, October 2, 2015

VII. The Younger Brother

Look, the brother said, how many
years have I been at your side,
Serving you, following your rules
and never breaking your commands,
And have you ever given me
as much as a suckling goat to share
With friends, a single night that my friends
and I might have a party of
  our own?

Yet here, no sooner had your boy
returned from his great carnival
Of whores, his share of your estate
devoured, for this son of yours
You’ve gone and killed the fatted calf!
And he despised his brother and
Continued with his murmuring,
but the loving father to his son
  replied,

My son, you are forever with me,
and everything I have is yours,
But it was right that we should have
this feast and celebration, for
You see, this is your younger brother:
he was dead, but turn around
And look, he is alive again! Your
brother was lost, and now he has
  been found!”



Thursday, October 1, 2015

VI. The Older Son

The older son, the one who stayed
at his father’s side and in his place
Was in the field while this went on,
and when his working day was done
At the cue of the setting sun he came
back home again, but as he drew
Up closer to the house he heard
the music and the sounds of
  people dancing.

And looking through the door he saw
that they had killed the fatted calf.
What is the meaning of this? he said,
pulling one of the servants aside,
And the servant said, your brother is home
and all of this your father has done
To welcome him and to receive
your brother safe and sound where
  he belongs.

This only angered the older son,
and he stood where he was looking in,
Refusing to enter through the door
and scowling at the celebration,
And even when his father came
outside to ask him earnestly
To enter in, to be part of
the party, the older child started
  arguing.